A Dance of Deception ,and a Nigerian Tragedy

The rhythmic sway of the Gwo Gwo Gwo Ngwo dance has captivated the nation, its infectious energy mirroring the pulsating spirit of our people. Yet, beneath the surface of this joyous and creative cultural expression lies a poignant allegory reflecting the complex tapestry of Nigerian society, with particular reference to the prevailing politics.

Like the unsuspecting Elephant lured by the Tortoise's promises of grandeur, the Nigerian populace is often swayed by the siren song of political rhetoric. the leaders, the modern-day Tortoises, skilfully manipulate the hopes and aspirations of the masses, much like the cunning reptile orchestrated its deception.

The Ofala celebration, a symbol of prosperity and unity, is mirrored in the electoral promises of bountiful harvests, infrastructure development, and economic growth. These promises, as enchanting as the festival itself, serve as bait to ensnare the electorate.

The Elephant’s unquestioning obedience to the Tortoise's guidance reflects the blind faith Nigerians often place in their leaders. We trust implicitly, our hopes pinned on the promises of a better tomorrow. Yet, like the rope around the Elephant's neck, the chains of disillusionment and disappointment tighten with each passing election.

The lyrics, "Nnam eze akpatam enyi" (My King, I have brought the Elephant), echo the populist rhetoric employed by politicians, who claim to be the Saviors of the people. However, the Elephant's query, "Nwa mbe isi na ikpata onye?" (Small Tortoise, who do you say you have brought?), exposes the hollowness of these claims.

The refrain, "Gwo gwo gwo ngwo," represents the collective march of the people, blindly following the political elite. It is a dance of hope and desperation, a rhythmic expression of our yearning for change while simultaneously highlighting our vulnerability to manipulation.

The Tortoise's ultimate betrayal, revealing its true intentions, mirrors the endemic corruption and mismanagement that plague our nation. The Elephant's captivity symbolizes the people's subjugation to the whims of a self-serving political class.

This allegory underscores the urgent need for political enlightenment. We must shed the role of the unsuspecting Elephant and become discerning citizens. Like the Tortoise, who exploited the Elephant's naivety, our politicians thrive on our ignorance.

It is imperative to question the promises made by our leaders, to demand accountability, and to hold them responsible for their actions. Only through vigilance and collective action can we break free from the chains of deception and build a Nigeria where the people truly reign supreme.

The Gwo Gwo Gwo Ngwo dance, as its currently trending all over various social media platforms may be a joyous cultural expression, resurrected via social media content creativity, championed by BRAIN JOTTER, but its underlying message is a sobering reminder of the challenges we face as a nation. It is a call to action, urging us to transform our dance from one of blind obedience to a powerful rhythm of resistance and change.

Let us dance not in ignorance, but in knowledge. Let our movements be guided by wisdom, not deception. Let the music of the prevailing sociopolitical disequilibrium, INJUSTICE and judicial rascality, economic stagnation and disunity drown out the very ESSENCE, the NEED for a total rearrangement/ restructuring of NIGERIA or we let THINGS FALL APART.